west midlands pair ultra knites touch down with the debut release on their own eponymously titled label. got to release has already been described as a future classic with its distinctive warm pads, vintage bassline and vocal hook while ny sleazd is the choice track for peak time dancefloor destruction. the b side takes things deeper underground providing variety with two more chord driven cuts, flanged synth stabs and harmonised basslines. all delivered on heavyweight 180g vinyl

bosq y orquesta de madera is the much anticipated full length debut album by bosq from whiskey barons. on the heels of his three well-received 12inch singles, the album delivers on the promise of a well-rounded and killer collection of afro, house, latin, soul and disco tracks with the intention of keeping bodies moving on the dancefloor.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #21 is brought to you by your future lovers, tomas malo, atnarko, andrew clarke and space coast. these folks have futurified some heavy love affairs ranging from disco to rnb. this machine has soul, baby!

4 secret weapons of the gomma / toy tonics djs. very effective techno/house versions of songs you might know from the 70ies and 80ies. the dancefloor will love these.... reworked by gomma artists munk, mercury, manuel kim and toy tonics newcomers black loops

dj support so far: tensnake, deetron, huxley, joris voorn, ben westbeech, george fitzgerald...
having produced some stellar jams for labels like somethink sounds, and giles petersons brownswood, eliphino aka tom wrankmore, debuts for hypercolour this autumn, opening up the labels new term with this solid two track release. i dont care opens the account, all chopped up rnb vox and rolling beats, wrapped up in a super smooth melody. already road tested by the hypercolour firm over the last few months, this deep garage vibe hits the sweet spot for sure. on the flip, understand further plunders eliphinos love of rugged garage beats and an ear for a catchy hook. a feverish interplay of vocal chops, keys and organ stabs keeps up the ante, with some decidedly trancey synth parts ramping up the 90s house influences here, and once again a cut that most definitely brings the heat to the dancefloor.

after their musical debut on italians do it better last year now the two swedish freaks come up with an psychadelic soul disco trip called road less travelled. including two amazing house remixes for the dancefloor. tiedye are anton klint and edvin edvinson - from the rocks and waves of the west coast of sweden. with a worldwide fame for beeing incredible dj. now they sho that they also are unique producers. their shit is raw. their sound is dirty. it fits perect with gomma.

patrick toppings productions have an effortless swagger when it comes to working the dancefloor and still only on his second ep, the north-easts star in the making is showing plenty of nous with his massive debut for hot trax and now the intoxicating any amounts ep on hot creations

we first discovered young glasweigian talent barrientos in 2012 via the always on point synthglasgow.com blog. his debut mix for them effortly mixed tracks from atjazz and matthew styles to loco dice, vince watson and steve rschmad and took the listener from the early bounce as the club doors open right through to hands-in-the air madness of a packed dancefloor. we loved it. he alsoreleased the good-time, sun-soaked sky ep (for free via soundcloud) around the same time and the quality of both his music and production really stood out from the crowd.

after *organisch ep* (plz003), iar is back on pleasure zone with 4 cuts of pure dancefloor bliss, pressed on transparent red vinyl.

as an interlude between harakets forthcoming ep and their last, weve pulled in some favours for an exclusive little remix package featuring moody dancefloor renditions of attgo & taint. this is one for those twilight basement parties

john digweed and nick muir collide with psycatron on this pounding techno fuelled number, harking back to the golden age of acid tinged basslines and urgent, frenetic drums. furious breakdowns build anticipation on this peak-time dancefloor killer!

the wandering artists are back for the third instalment of the birdsmakingmachine series, this time again going deeply into the abysses of house music. >multiverse<, occupying the whole a-side, is a deep dancefloor affair filled with endless pads which, having been layered onto elaborate drum grooves, fuse together into the endless horizon. the b-side goes into similar territory, while still managing to create a slightly different ambience: >40th of may< uses intricately groovy steel drum patterns on a long, never-ending journey through the deep depths of the ocean, as for the end credits, >dune< rounds off the ep with an instantly hypnotising groove that melts into delayed vocals, slightly darker pads and a galloping, yet smooth sine-wave bassline.

ron trent lays the groove out as only he can, giving you the power to let loose on the dancefloor. check out rons bewe effect mix and aybees blakfederation slapmix. deep chicago house music. due out late july on rons very own future vision imprint.

a special remix 12 inch with tracks taken from glenns *july 12, 1979* album. going bananas (gorilla disco dub) on the a-side is a seriously deep and soulful house groover full of jazzy horns. disco heaven! cvo soul (isoul8 edit) on the flip is broken beat piano driven dancefloor dynamite from italys isoul8 (enrico crivellaro)! fyi: going bananas (gorilla disco dub) was voted an sju fan favorite for 12 inch release after an impromptu online survey.

in september 2013 mos ferry presents the fourth album smoke by dapayk & padberg. after their last album sweet nothings on stil vor talent in 2012 with its summery-funky sound the duo is now opening the door to a gloomy-melancholic world. dapayk & padberg consciously turn their back on the dancefloor and abandon the formerly typical balancing act between club sound and listening electronica. even though the a side of the present single is certainly made for the djs, it shall be the sole exception to their current creative path. the down-tempo version of smoke on the b side already reveals the new dapayk & padberg uneasy listening mixture.

the seventh episode of the based on misunderstanding series is true show-stopper: last summer the ultra hot duo manhooker(tomasz guiddo switala and sebastian mavin magassouba) digged itself together with paul bonomo aka snax (capatain comatose) in its studio to record with cloud 9 a veritable late summer hit. once their first 12inch on ostgut ton caused a burst of enthusiasm, the hype will be fuelled with this release. this is pop music at its best with lots of soul for the sophisticated dancefloor.

having already released music on respected labels such as dolly, philpot, mathematics, mule electronic, versatile, ostgut ton, new kanada, creme organization, nonplus+, and still music, – basic soul unit delivers 3 tracks on the inaugural release of lab.our music, the label he has started with long time friend and dj partner jason ulrich. lab.our 01 sets the tone for the new label nicely with three slices of deep & raw techno. frack marries a frantic and bottom heavy beat to a delicate melody while innershell & earwerm are both raw, jacking dancefloor workouts

new artist on crowdspacer. for club use. house + acid + us garage. 606 + 303 + 909. nothing more to add except you have to listen to this on a smokey boiling hot dancefloor

after the great success of der himmel uber berlin, the second release on envlp imprint is signed by another south italys talent: drum communicate is a project of drummer and composer francesco varchetta. the ep take the name from the first track, the fast line, which show all his talents as a musician, producing an ambient track with detroits influences. tuner is the second track, which has a marked groove and much more dancefloor, also remixed by brendon moeller in two versions, goes to conclude a release for true connoisseurs of the genre.

another handy 12 inch of dj tools, de- and re-constructed from the raw materials of james holdens *the inheritors* album and thoroughly road-tested in his own dj sets. this time it is the turn of trippy instrumental album interlude *the illuminations*. in its 12 inch version club incarnation, holdens mystical cascading arpeggios are juxtaposed with a skittering detroitian thump to cater for a multitude of bewilderment-inducing dancefloor moments the world over. the drumsolo strips things back to functional old school techno basics as we get to eavesdrop on holden jamming with his modified dr-110 drum machine. finally, the extended arpsolo draws out the melodies of the original into a dreamy boards of canada-esque bonus indulgence.

kelpe makes his first outing on don’t be afraid as part of their coveted dba dubs series. monte verità sees the london based beat veteran at his housiest (sic) yet. the track sports a low slung four to the floor and a deadly analogue funk bassline. kevin reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees. since coming to the attention of dc recordings in early 2003 kelpe has released three albums, the latest of which *the golden eagle* dropped this year to critical acclaim. detroits kevin reynolds has consistently turned heads with his unique take on the modern house sound. as well as releases on his own nsyde recordings he has appeared on cult us imprints like todchai and love what you feel.

honesty (aka honey drop) & daniel paul team up the first time on cabinet records while konstantin sibold remixes >atrium< twice. one in a cabinet tradition manner and the second as dubby house shaker.on the a side, bassmonstergrooves by honesty and daniel comes as a result of several night sessions jamming in their studio in berlin. lovely house music! a journey to enjoy at home or on the dancefloor. although daniel and honesty continue to work on the releases for their label slopemusic it seems this first collaboration has paved the way for many more to come also on cabinet records. first track for the next 12 inch is ready.. stay tuned!

limited summer nice price action !!
in the first release, krakatoa ltd 01, you will find two crazy remixes of subsonica, the italian famous rock band, re-edited and arranged expressly for the dancefloor by pisti & samuel.

unestablished moves presents primitive sci-fis debut ep featuring 4 tracks of unrelenting gear oriented madness sure to hypnotize the dancefloor. all 4 tracks on the ep were writting live on the fly using an tr707 sh101 and tb303. primitive sci-fi takes the soundscape of the past and updates it for todays dancefloor. enjoy!

having dabbled with lower tempos of house and techno in recent years on his exit records imprint and convex industries, dbridges 4/4 alter ego vevit presents his debut ep for electric minds in the form of the nudge ep - where two varied cuts display his tactful use of restraint and release for club tools which, if put in the right hands, can alter the state of play on the dancefloor.

after the successful album on polegroup, exium returns to home with a new 12inch, joined by kwartz, a young new talent from madrid. expect four quality tunes, dark and deep drums with intelligent synth programming that works perfect on the dancefloor.

humans latest ep emerges with obvious maturation, each track carrying a depth of sound, evolved production, and focused vision, while never straying from their early commitment to make music for the dancefloor. the duo recently played sxsw and cmw and are set to tour with young empires this summer.

been a long time since we ve heard anything out of miami like this! producer greg beato follows up his blazing ep for funkineven s apron records with another killer three tracker....serious shit, 100% tip!beato somehow just knows how to get it right combining all the crucial electronic elements, creating three absolutely monsterous tracks that will crush the dancefloor. sure it s been said before, but the music does the talking and this ep is a pure unharnessed example of such. guaranteed to be in every djs bag this summer. further proof it s game over for weak watered down dance music.

miles sagnias british bastion of deepness, aer, returns with the life ep, which sees the label foray into fresh territory. tokyos tomi chair opens proceedings with a sharp piece of deep techno called sunstroke which is as uplifting as it is tough. si tappenden appears next under the newly established ourra alias, contributing the dawn acid driver marine morning which is an inspired piece of dancefloor poetry. finally rounding off the ep is miles sagnias ~elements~. after years of experience as one of the uks finest underground djs, sagnia is on point once again. a beautifully emotive track, that pulls on the heart strings and exhibits a serene gentility that works alongside the rhythm

part 3 of the emotional relish series sees robi insinnas work remixed by a quartet of british producers. death in vegas overseer richard fearless tackles >be loved< starting with an ethereal loop that builds on top of itself before the beat kicks in and the remix heads for the dark (leather) dancefloor. mr andy blake channels the collective spirits of the slits, the pop group and killing joke on his space echo laden remix of >adolescent sex< whilst weatherall acolyte scott fraser returns to the relish cause with a typically chugging rendition of >turning< that has found favour from croatia boat parties to the catwalks of paris s/s 2013 no less (check youtube for evidence). cosey club founder richard d clouston slows down the tempo for a brooding, mind bending take on >blue girls<.

mit katalognummer 40 bricht auf acker endgültig der hochsommer aus. robot needs oil hat das einzigartige lebensgefühl dieser jahreszeit auf seine essenz reduziert und in schillernde schallwellen verwandelt. auf butterweichem groove hallen der träumerische singsang und die luftig-leichte instrumentierung von little leo in den wolkenlosen himmel. genau so warm und sonnig geht auch cherry ins ohr, jedoch verleihen der gesang von sambor und lässige gitarrenakkorde diesem titel einen ausgeprägten songcharakter – und mit ihm eine extraportion eingängigkeit. ausgeprägten dancefloor-charakter gibt es in den remixen von mollono.bass. der bringt die sommerlichen klangfarben nämlich rhythmisch auf jenen punkt, der sich in der mitte der tanzfläche einfach am besten anhört.

great double a-sided reissue from tiny brooklyn label starburst. features the superb and impossible-to-find *three way situation* by nadie la fonde, a cool and dreamy trinidadian disco cut which hit big in chicago as well as in new yorks cooler clubs back in 79. backed with the equally in-demand tropical monster *soca fusion* by bobby raveen. jam-packed with horns, seriously funky bass and driving percussion, this is pure dancefloor dynamite. dont miss!

drop that records is the continuation of the concept label b.l.a.t.t. . it is more striped down in his appearance and even more focused on the dancefloor. the sound will move between reduced & dubbed out house & techno music. on each release you will find some forgotten specials a vinyl record could entail. drop that_001 features 2 tracks by mint 4000 and a live jam by sevenmint, a long term livepa collaboration between seven (rg25) & mint 4000. music can say more then words, so listen and enjoy.

a four-track ep, bemired and evil-eyed, but with room for arnaldo to breathe out and flex a little after his spooked, sparked contribution to blank slate 001. the opener is a dubwise bubbler, with spaced-out keys, free woodblocks, shuffling hi-hats and elastic 303 bass. atmosphere breached is more jazzy and messed-up, running funky organ through sizzling fx, syncopated handclaps and filtered groans. the flip is dancefloor-trained. our pick of the bunch, verano is in a dark, hissing, aqueous world of its own, chugging and stomping, with relentless tambourines, crunchy filtered tribal drums and detuned horns. heads down to close: lost voices and a 909 kick, chattering hi- hats and rattling percussion administer the licks.

quality loud-pressed reissue of it s on by wizard, an irresistible slab of ultra-rare bad-ass boogie from 1982. hailing from gastonia in north carolina, the acclaimed and highly-collectible chocolate cholly s label produced a slew of top-class funk and boogie 12 inches and lps in the early 80s and this is no exception. a rocking synth-laden dancefloor bomb boasting a truly sleazy squelching bass, slamming drums and a great vocal, the rarity of this hugely desirable track has pushed prices for the original sky-high. grab a copy while you can - essential!

after 17 years at the top of its game chronic is undergoing an evolution. from its beginnings as an undercover outlet for some of the scenes biggest names chronic has always kept its feet firmly on the dancefloor. with d&b now commercially accepted the world over, 2013 sees one of the scenes original no frills labels reborn, with a new look and a renewed passion to cater strictly for the underground on which this scene is built.
a new roster of fresh talent joining forces with established artists to produce what can only be described as raw, uncompromising drum & bass. switching between straight up rollers, deeper darker beats and dancefloor smashers. 4 huge tracks taken from the 20 track chronic rollers album this double pack gives a snapshot of the chronic sound, and you need that sub turned up loud to feel these – these tracks are not for daytime radio!
club support: bailey, bryan gee, crissy criss, dj hype, sub focus, dj marky, dj krust, dj craze and more!

after their stunning debut, slum room by rob shields, was picked up by the likes of maya jane coles for her resident advisor podcast, and crosstown rebel jozif for his balance compilation, boutique label petit records return with a tribute to frank ocean, the postmodern neo-soul don, and prince heir apparent. newest signing and brooklyn young gun, fenbred (aka benjamin gardner), follows up his sizzling debut for the label (get enuff - an infectious edit of a 90s anthem) with his sophomore 12 inch release, pyramids, a brilliant dancefloor interpretation of the electro soul epic.

for this release we have 2 of spanish hottest producers for you. cuartero from malaga and samuel dan from valencia both deliver 2 extremely funky tunes for the dancefloor. check out pareja de tres, what can u do, seres and soluciones!

the double a-side sees walls releasing on their kompakt imprint ecstatic for the first time, with a pair of mind-expanding dancefloor focused compositions. limited to 300 copies worldwide

patrik sjeren keeps working that body with his 2nd release for virgo rising. the dancefloor approves!

ultraphat pumpin unique mr.g style !!

after cooperating with other dj s, metacid decided to go back to basics. this 6th release is a true acid experience !! on the a-side expansion just keeps on banging your head with the two 8-steps 303 basslines !!! the clap cuts right trough and the wicked synth turns your head around. this will certainly keep the dancefloor moving. there would be no metacid release without a track fully packed with acid. this track on the b-side alters different beautiful basslines and has a deeper and more progressive feel to it. saur is the last but certainly not the least track on this release. with the acoustic percussion and the strings this track tells a nice story and is perfect for the beginning of the evening.

a-side brings a 45rpm mentalcore speed hardtechno, very progressive with some good bloody breaks, and bass changes! twirling stuff absed on a david green sample... playable at 33rpm.. b-side brings one 33rpm dub techno breakbeat track, very efficient, with a long dub intro, opening on a massive kick where it was expected. a real tune travelling into style and remaining dancefloor, this tune is a postal collaboration between lityk and vulpine smile from usa. one side 33 rpm boostables and one side 45 rpm playable 33rpm... a superb record we are very proud to co-produce with lityk.

sam walton is a 22 year old producer from manchester who came to hyperdub after feeding them demo tracks, and started off in 2011 with the *walton ep*, the first of three eps for the label. since then he has honed and developed his music into *beyond*, finding a really fresh and subtle intersection between music that doesnt seem to naturally fit together, old eski grime, funky and detroit house and techno but with smudged edges and a colourful industrial sound palette that gives a real richness to his productions.

dont be afraid present the latest ep from americas disco nihilist, and the first in their special editions series. disco nihilists releases for gerd jansons running back imprint and for local grassroots us labels like construction paper are mainstays in the record boxes of house djs worldwide, and his live sets have rocked the panorama bar, robert johnson, the cult take 5 café in bristol and dont be afraids own london shindigs. this release from disco nihilist sets the tone for a series of classic dancefloor cuts from the most sought after producers on the underground house circuit.

legowelt brings us two tracks with his trademark dancefloor drums punching through analog layers of melody and atmosphere. willie burns takes us on a hypnotic journey through the grooving crunchiness of a lost underground new york and then deep into the stars. like lovers separated by prison glass, these tracks come from very different places but they all serenade you to the dancefloor and take you into a maze of hazy visions.

part 2 concludes killawatts largest body of music to date, the opposing rhetoric ep, a 6 track opus of truly progressive uk underground sound that melds his influences from dubstep and techno with expansive, high-tension sound design. the eps second triplet of beats feature his most overtly techno-focussed sounds yet, expanding his horizons and dropping the pace down to 125bpm, and delivers punishing dancefloor rigidity and bass-immersed sonic force. on black air, killawatt threads tightly coiled syncopations above a grinding 4×4 structure, and delivers a near-cacophonic but ultimately heavy full-sensory overload. the flipside is divided between the churning swell of dark industrial aesthetics on art of discourse, and the moody permutations of reactive technique, where rippling melodic shimmers provide accentuation to its pounding sub-density.

limited to 130 numbered copies.
electronical reed is proud to welcome on the imprint two new talents of contemporary techno, ian o donovan and madben, for their first collaboration. a four track ep offers a real deep, powerful and melodic techno. two original tracks and mutual remixes create a special bond between the rich and personal universes of both artists. a dancefloor oriented 4-track weapon will turn the dancefloor upside down.
already supported and played by artists like by dave clarke, laurent garnier, agoria and ben sims, this ep brings us the crème de la crème of the new techno music. is probably why john digweed presenting this release as one of not to miss in its transition radioshow special best of 2012. in few words, this ep is one of technos finest releases.

new sheffield label shabby doll records makes its debut with nails donks ep. nail is nottingham-based neil tolliday, a producer who spent the last decade creating deep downtempo joy as one half of bent – their debut album *programmed to love* helped ease the worlds ills back in 2000. now, with love for nails solo manoeuvres truly reignited, sheffields shabby doll label is taking the next step with his first new solo material for years. called donks, nails new four-track ep showcases his flawless dancefloor instincts: there is something deliciously seductive about this early hours charmer. one to play when things are getting wonderfully weird… and finally, never4gedit brings back the sunshine with some sweet, melody-flecked disco. with nails vintage house output currently proving to have real staying power, lovers of real british house music eagerly await his new tracks. so if you have got a dark room and a feeling, let nail, shabby doll and donks add a little magic to the night.